It’s always a good feeling when you do something new – visiting a city for the first time, reading a new book, watching a new movie. So I was pleasantly surprised when my copy of the recent Degrees Of Freedom album, ‘Perfect World’ hit my doormat. Some new music by a band I’d never heard before was just what I needed.
The story behind the album is interesting – it’s the culmination of guitarist John Aulabaugh’s mid-life crisis, which took a Blues Brothers twist when he decided to pull his band back together after a quarter of a century. I’m not sure if a 106-mile road trip or the Illinois Law Enforcement Agency were involved, but I’m sure the sunglasses put in an appearance!
As far as line-up goes, Degrees Of Freedom are guitarist John Aulabaugh, vocalist Michael Husler, Michael Murphy on bass and drummer Tim Murphy. In addition, the album benefits from guest appearances from Lydia Salinkova on keys and strings, Ken Barnum on bass and Paul Garisto on drums.
Perfect World is an eclectic mix of tracks, ranging from the rock to the melodic, from the driving beat to the tunefully pensive. Each tune has a slightly different flavour hinting at a wide range of influences and moods. My personal favourites are Again and Again, Overwhelmed, and Howlin’ at the Moon, tracks that show the best that Degrees of Freedom offer – great musicianship, a lyric that tells a story, and a tune that sticks in your head after the album has long finished.
The remaining tracks are all very good standalone tracks, including the title track, Perfect World, deliberately written in a mix of time-signatures so that it never quite settles into a comfortable groove in your head.
These days, it’s rare that you’ll sit and listen to an album from start to finish. I’m old enough to recall a time before people simply downloaded individual tracks, and then hit the shuffle button. Gone are the days when an album took you on a journey, with all of the tracks hanging together and taking you from A to B. And there’s the only problem I have with the album. Perfect World is, to me, an example of how nine great songs don’t quite hang together as a great album when played in sequence.
Now I’m very aware that I’m being picky here, but it’s that range of influences I mentioned before that possibly contributes to this. Don’t get me wrong – this is far better than most of the stuff you hear on the radio these days, and is worthy of a place on your shelf.
As a collection, Perfect World is excellent. As an album, it’s merely very good indeed…
- Again and Again
- Howlin’ at the Moon
- Bring Me
- Lie to Me
- Hand of the Devil
- Perfect World